{"id":5134,"date":"2026-09-01T10:34:59","date_gmt":"2026-09-01T08:34:59","guid":{"rendered":"https:\/\/ilingua.uvigo.gal\/linguamente2026-mente-traducion-interpretacion-e-medios-o-papel-da-mente-na-traducion-e-interpretacion-da-arte-e-dos-medios-audiovisuais-para-persoas-con-e-sen-discapacidade\/"},"modified":"2026-09-17T10:14:18","modified_gmt":"2026-09-17T08:14:18","slug":"linguamente2026-mente-traducion-interpretacion-e-medios-o-papel-da-mente-na-traducion-e-interpretacion-da-arte-e-dos-medios-audiovisuais-para-persoas-con-e-sen-discapacidade","status":"publish","type":"page","link":"https:\/\/ilingua.uvigo.gal\/gl\/linguamente2026-mente-traducion-interpretacion-e-medios-o-papel-da-mente-na-traducion-e-interpretacion-da-arte-e-dos-medios-audiovisuais-para-persoas-con-e-sen-discapacidade\/","title":{"rendered":"Linguamente2026"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/Venres-9-de-outubro-de-2025-1-1024x1024.png\" alt=\"\" class=\"wp-image-5240\" srcset=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/Venres-9-de-outubro-de-2025-1-1024x1024.png 1024w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/Venres-9-de-outubro-de-2025-1-300x300.png 300w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/Venres-9-de-outubro-de-2025-1-150x150.png 150w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/Venres-9-de-outubro-de-2025-1-768x768.png 768w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/Venres-9-de-outubro-de-2025-1.png 1254w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Mente, traduci\u00f3n\/interpretaci\u00f3n e medios \u2013 O papel da mente na traduci\u00f3n e interpretaci\u00f3n da arte e os medios audiovisuais para persoas con e sen discapacidade<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">Coordina: Pablo Romero Fresco, iLingua <a href=\"https:\/\/ilingua.uvigo.gal\/gl\/membros-il\/pablo-romero-fresco\/\">https:\/\/ilingua.uvigo.gal\/gl\/membros-il\/pablo-romero-fresco\/<\/a>. 9 outubro 2026, 10:00am <\/p>\n\n<p class=\"wp-block-paragraph\">Linguamente2026 \u00e9 un evento online organizado polo Instituto de investigaci\u00f3n Lingua da Universidade de Vigo sobre a conexi\u00f3n entre a linguaxe, as linguas e a cognici\u00f3n, dende perspectivas ling\u00fc\u00edstica, social, neurol\u00f3xica e cognitiva. Linguamente2026 poder\u00e1 seguirse en directo por streaming. <\/p>\n\n<p class=\"wp-block-paragraph\">Pode acceder \u00e1 gravaci\u00f3n de Linguamente2025 en:<\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/ilingua.tv.uvigo.es\/series\/68e8ce5fa906faa0c3502f43\">https:\/\/ilingua.tv.uvigo.es\/series\/68e8ce5fa906faa0c3502f43<\/a><\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Relatoras<\/strong><\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"240\" height=\"330\" data-src=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/garcia-2.png\" alt=\"\" class=\"wp-image-5115 lazyload\" data-srcset=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/garcia-2.png 240w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/garcia-2-218x300.png 218w\" data-sizes=\"(max-width: 240px) 100vw, 240px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 240px; --smush-placeholder-aspect-ratio: 240\/330;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"358\" height=\"459\" data-src=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/rojo-1-edited-1.png\" alt=\"\" class=\"wp-image-5136 lazyload\" data-srcset=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/rojo-1-edited-1.png 358w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/rojo-1-edited-1-234x300.png 234w\" data-sizes=\"(max-width: 358px) 100vw, 358px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 358px; --smush-placeholder-aspect-ratio: 358\/459;\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1247\" height=\"1506\" data-src=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/sanchez-edited-1.jpg\" alt=\"\" class=\"wp-image-5130 lazyload\" data-srcset=\"https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/sanchez-edited-1.jpg 1247w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/sanchez-edited-1-248x300.jpg 248w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/sanchez-edited-1-848x1024.jpg 848w, https:\/\/ilingua.uvigo.gal\/wp-content\/uploads\/sanchez-edited-1-768x928.jpg 768w\" data-sizes=\"(max-width: 1247px) 100vw, 1247px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1247px; --smush-placeholder-aspect-ratio: 1247\/1506;\" \/><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Mar\u00eda Jos\u00e9 Garc\u00eda Vizca\u00edno: \u2018A arte de describir arte: reflexi\u00f3ns sobre a accesibilidade na pintura e na escultura\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Catedr\u00e1tica da Montclair State University (MSU). As s\u00faas principais li\u00f1as de investigaci\u00f3n c\u00e9ntranse na audiodescrici\u00f3n e na accesibilidade t\u00e1ctil nos museos de arte. Conta cunha ampla produci\u00f3n cient\u00edfica publicada en prestixiosas revistas acad\u00e9micas, entre elas Journal of Pragmatics, Journal of Audiovisual Translation e Perspectives: Studies in Translatology, e presentou os resultados da s\u00faa investigaci\u00f3n en numerosos congresos, paneis e simposios internacionais. Na actualidade, imparte audiodescrici\u00f3n en espa\u00f1ol na MSU e promove a participaci\u00f3n do seu alumnado en proxectos orientados a facilitar o acceso \u00e1s artes esc\u00e9nicas e \u00e1s belas artes ao p\u00fablico hispanofalante con baixa visi\u00f3n en Nova York.   <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Ana Mar\u00eda Rojo L\u00f3pez: \u2018Entre palabras, corpos e voces: emoci\u00f3n, creatividade, x\u00e9nero e accesibilidade na audiodescrici\u00f3n\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Catedr\u00e1tica do Departamento de Traduci\u00f3n e Interpretaci\u00f3n da Universidad de Murcia. \u00c9 investigadora principal do grupo Traduci\u00f3n, Did\u00e1ctica e Cognici\u00f3n e participa activamente en redes e espazos internacionais de investigaci\u00f3n, como a Red Tem\u00e1tica Internacional en Investigaci\u00f3n Emp\u00edrica y Experimental e o Laboratorio de Cognici\u00f3n y Comunicaci\u00f3n Mediada Multilectal. A s\u00faa traxectoria investigadora sit\u00faase na confluencia entre traduci\u00f3n, cognici\u00f3n e emoci\u00f3n, co obxectivo de comprender os procesos cognitivos implicados no acto de traducir e a influencia que exercen neles a experiencia e os factores individuais. As s\u00faas principais li\u00f1as de investigaci\u00f3n abranguen a traduci\u00f3n e a cognici\u00f3n, as\u00ed como a metodolox\u00eda da investigaci\u00f3n, cunha atenci\u00f3n especial ao papel das emoci\u00f3ns e dos factores individuais e de personalidade, particularmente a creatividade, no proceso tradutor.   <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Sof\u00eda S\u00e1nchez Mompe\u00e1n: \u2018A voz que (non) convence: cara a unha avaliaci\u00f3n da calidade da dobraxe autom\u00e1tica\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Profesora Titular do Departamento de Traduci\u00f3n e Interpretaci\u00f3n da Universidad de Murcia, onde imparte docencia no grao en Traduci\u00f3n e Interpretaci\u00f3n e no mestrado en Traduci\u00f3n Editorial. A s\u00faa investigaci\u00f3n c\u00e9ntrase na traduci\u00f3n audiovisual e, particularmente, na dobraxe, con especial atenci\u00f3n \u00e1 prosodia, \u00e1 creatividade, \u00e1s emoci\u00f3ns e \u00e1 avaliaci\u00f3n da calidade. \u00c9 autora de The Prosody of Dubbed Speech: Beyond the Character\u2019s Words (Palgrave Macmillan, 2020), obra de referencia no \u00e1mbito dos estudos sobre traduci\u00f3n audiovisual e dobraxe. A s\u00faa produci\u00f3n cient\u00edfica incl\u00fae, ademais, numerosos artigos publicados en revistas especializadas e cap\u00edtulos en volumes colectivos. Na actualidade, a s\u00faa investigaci\u00f3n c\u00e9ntrase na avaliaci\u00f3n da calidade das voces autom\u00e1ticas e na s\u00faa aplicaci\u00f3n \u00e1 dobraxe e aos medios de comunicaci\u00f3n.    <\/p>\n<\/div>\n<\/div>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<p class=\"wp-block-paragraph\">Financiamento<\/p>\n\n<ul class=\"wp-block-list\">\n<li>Instituto de investigaci\u00f3n Lingua<\/li>\n<\/ul>\n\n<ul class=\"wp-block-list\">\n<li>Departamento de Filolox\u00eda Inglesa, Francesa e Alem\u00e1<\/li>\n<\/ul>\n\n<ul class=\"wp-block-list\">\n<li>Programa de doutoramento en Estudos Ingleses Avanzados IDAES da UVigo<\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mente, traduci\u00f3n\/interpretaci\u00f3n e medios \u2013 O papel da mente na traduci\u00f3n e interpretaci\u00f3n da arte e os medios audiovisuais para persoas con e sen discapacidade Coordina: Pablo Romero Fresco, iLingua [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5134","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/pages\/5134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/comments?post=5134"}],"version-history":[{"count":15,"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/pages\/5134\/revisions"}],"predecessor-version":[{"id":5244,"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/pages\/5134\/revisions\/5244"}],"wp:attachment":[{"href":"https:\/\/ilingua.uvigo.gal\/gl\/wp-json\/wp\/v2\/media?parent=5134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}